MIXED EMOTIONS:
Knowingly skeptical
A knowingly sceptical expression carries the air of someone who has already seen through the surface of things. It is not the raw doubt of confusion, but the measured scepticism of experience—the look of a person who recognises patterns, who has heard the promises before, and who meets them now with a wry, almost amused detachment. The eyes narrow not in bewilderment but in recognition, as though to say, “I know how this goes.”
There is a quiet confidence in this kind of scepticism. It doesn’t rush to dismiss, but it holds its ground with the assurance of someone who trusts their own judgement. The “knowing” element adds depth: it suggests that the scepticism is not born of cynicism alone, but of understanding, of lessons learned, of truths uncovered. It is scepticism that has been earned, and which carries with it a certain authority.
Such an expression can be both challenging and reassuring. It challenges because it refuses to be taken in, signalling that persuasion will require substance, not surface. Yet it reassures because it suggests steadiness, a refusal to be swayed by empty gestures or hollow claims. Knowingly sceptical is the look of someone who has already weighed the world and found it wanting in places, but who remains sharp-eyed, alert, and unwilling to be fooled.
This work is produced as a limited edition - hand‑pulled in the studio, signed/stamped and numbered to ensure their authenticity and collectability. Each edition is created using traditional silkscreen techniques on archival paper, with every layer printed by hand.
Collectors can choose to acquire these works in two forms:
• On Paper — the edition in its purest state, unframed, offering flexibility for personal presentation.
• Artist‑Framed — mounted and framed by the artist, using bespoke methods to present the work as a complete, ready‑to‑hang artwork.
This dual approach allows the work to be appreciated either as a print to be lived with and framed to taste, or as a finished object crafted entirely within the artist’s practice.